All of classical music,
in a single app

What is playing in the halls of Paris, and soon other cities. The programme, the cast, your tickets, and an alert the moment a seat frees up.

Free · no advertising · English and French

My Season: an overview of your concert year
The Mon Auditorium home screen: search and upcoming concerts in Paris
A concert page with its date, hall and introduction

The season has begun.
Take your seats.

The whole classical and operatic season in one place: the great houses as well as the halls one discovers, from the late-afternoon recital to the five-hour opera. What follows shows what one does with it.

1 205
Concerts listed
2 454
Artists & ensembles
3 112
Works catalogued
683
Composers
40
Halls & venues

Catalogue as of 11 August 2026 · 2026‑2027 season, in Paris

01

One field,
the whole city

Type “Mozart”, “Mäkelä” or “Garnier”: concerts, works, artists, composers and halls all answer at once, grouped by family. You looked for a work; you find the six evenings on which it is played.

  • Cross-search: artist, work, composer, genre or hall — one field, sorted results.
  • Tonight in Paris: what can still be heard this very evening, across every hall.
  • All performances: the whole season grouped by day, filtered by period, genre and hall.
  • Your cities: Paris, Versailles, Saint-Denis, Boulogne — you set the perimeter, it holds everywhere in the app.
  • Official box offices: a direct link from every page. We resell nothing.
Cross-search results for Mozart
The list of performances, grouped by day
02

An encyclopaedia
that hands you dates

Open a composer, a performer, a work or a hall: the page shows you first where to hear it next. Biography, period, catalogue and instrument come after. That is what separates an encyclopaedia from a diary: here, the article ends with a seat to take.

  • Composers: period, catalogue and works, from the baroque to the contemporary repertoire.
  • Performers and ensembles: biography, instrument, and all their forthcoming Paris dates.
  • Works: key, year, movements, average duration — and the concerts where you can hear them.
  • Venues and halls: photograph, capacity, seating plan, access and transport.
  • Favourites: the same button across all six families, and one page that gathers them.
A performer’s page and their coming dates
A composer’s page
A work’s page, with its movements
03

The programme, down
to the last detail

Before going to hear an evening, you need to know what you will hear. Every concert carries its full cast, its programme work by work and movement by movement, its real duration, and even whether there is an interval.

  • Detailed programme: each work with its opus number, key, movements and their durations.
  • Full cast: orchestra, conductor, soloists — with each one’s instrument and sung role.
  • Interval flagged: you know whether the evening has one, and when.
  • The exact hall: not merely “Philharmonie” but the Grande Salle Pierre Boulez — with capacity, photograph and seating plan.
  • Similar concerts: the same work elsewhere, or the same performer in another programme.
The detailed programme, work by work and movement by movement
The cast: conductor, orchestra and soloists
A Beethoven concert page at the Philharmonie
04

Your concert year, kept
like a programme

Build your season evening by evening, from what is actually being played each day. The app tells apart what you have booked from what is still to be taken, and shows you the shape of your year: how many operas, how many symphonies, how many recitals.

  • Build your season: browse the programme month by month and claim your evenings.
  • Booked / to book: a colour for each state, nothing slips through.
  • Breakdown by genre: opera, symphonic, recital, chamber music, vocal music, ballet.
  • Filters: by hall, by composer, by performer — useful when you hold several subscriptions.
  • Thirty days open to all, the whole season with La Loge — and that limit applies only to the personal programme: the catalogue can be browsed and the box offices booked with no horizon, on any date, without a subscription.
The season-building screen, month by month
The My Season dashboard and its breakdown by genre
05

Your tickets follow you,
signal or not

No more hunting for a PDF in a mailbox at the foot of the Palais Garnier. You declare the tickets you bought from the halls; the app files them, sorts them and keeps them readable offline, with the seating in full.

  • Readable offline: the ticket is cached on the device — the Bastille basement changes nothing.
  • Complete seating: category, control, floor, door, row, seat — every hall has its codes, all are handled.
  • Added in seconds: scan the ticket with the camera, or a guided form fitted to the hall.
  • A reminder the day before: a notification ahead of the concert, for imported tickets.
  • History kept: past concerts stay, with their programmes.
The list of tickets, sorted by date
A ticket with its seating and access code
06

The notification that
finds you a seat La Loge

Sold out today is not sold out tomorrow: seats go back on sale every day, and they last a few minutes. We re-read the box office every thirty seconds, day and night, and tell you the instant a seat returns.

  • Every 30 seconds: the watched concert’s box office is re-read without interruption.
  • The exact count: how many seats remain, category by category — not merely “sold out”.
  • One free watch with every account, no subscription needed. They are unlimited with La Loge.
  • No resale: the notification takes you to the hall’s official box office, at the hall’s price.
How full a hall is, category by category, with the number of seats left
The “Seats available” notification on an iPhone lock screen
07

From phone to desktop,
losing nothing

The app is native on iOS and Android, it also opens in a browser, and its interface recomposes itself on large screens rather than stretching. Your tickets, your season and your favourites follow the account, not the device: you plan your season on a large screen on Sunday, you find it in your pocket on the night of the concert.

  • iOS and Android: native apps, free, without advertising.
  • Tablet: side navigation and multi-column grids, on iPad as on Android.
  • Desktop: app.mon-auditorium.fr, with nothing to install — the comfort of a large screen to build your season, and the hall's box office one tab away.
  • Home-screen widgets: your next concert, what is playing tonight, what we recommend.
  • English and French: the whole interface, dates and notifications included.
  • Comfortable reading: two text sizes, reinforced contrast, and a dark mode for late evenings.
Mon Auditorium on a tablet, in a multi-column grid
La Loge

La Loge, for
distinguished members

Everything above, La Loge aside, is free and will stay so. La Loge is for those whose season runs to ten, twenty, fifty evenings: it lifts the limits, and it keeps an independent house alive — no advertising, no advertisers, no data sold on.

  • The freed-seat notificationWatch as many sold-out concerts as you please: the moment a seat goes back on sale, you are told.
  • How full the house isThe exact count of remaining seats, category by category, on every concert.
  • In your calendarYour concerts sent to Apple Calendar or Google Calendar in one gesture, with time, hall and link.
  • Your tickets in WalletYour seats in Apple Wallet and Google Wallet: readable offline, from the lock screen, without opening anything.
  • The whole season aheadThe catalogue, the concert pages and the box-office links have no horizon: the whole season can be browsed and booked without paying anything. Only adding a night to your personal programme stops at the next thirty days. Yet hall subscriptions are taken in spring for the autumn, and the great evenings are claimed a year ahead: La Loge lifts that limit, and tonight you can note next June.
  • Your season, on paperYour year published as a PDF programme — dates, works and performers: to print, to keep, to give to whoever comes with you.
  • Your history, kept indefinitelyEvery concert you attended, its date, its programme and your thoughts — preserved.
  • On the nightThe countdown on your lock screen, with your row and seat ready at the door, and the house filling up, tracked hour by hour.
Discover La Loge →
Founding offer
€2.08 a month

€24.99 for the first year, charged in one go · then €39.99 a year, that is €3.33 a month

Or €5.99 a month, with no commitment.


Open to new members until 31 December 2026. The subscription is taken out inside the app; payment, renewal and cancellation all go through your App Store or Google Play account. The price shown in the app is the one that applies. Terms.

Without a subscription you keep all the rest: the whole catalogue, search, every page, your tickets, your favourites, your profile — plus a taste of the remaining seat count and of watching a concert, free once you create an account.

What you will find
nowhere else

🎼

The movement, not the title

“Symphony no. 7” tells you nothing about the evening. We publish every movement, its key and its duration.

🌙

Tonight in Paris

What can still be heard this very evening, across every hall at once.

🔓

No account needed to look

The whole catalogue opens from the very first launch, before you have created anything.

🖼️

Sharing with some poise

Sending someone an evening produces a properly composed image, not a bare link pasted into a message.

🔔

When your artist returns

You follow a composer or a performer: we tell you as soon as they are programmed.

📱

On your home screen

iOS and Android widgets: your next concert, what is playing tonight, what we recommend.

🏛️

The halls, properly

Capacity, photograph, seating plan and access — the Grande Salle and the Amphithéâtre are not the same room.

✍️

Corrected in one tap

An error, a missing date? The “Report” button sits on every page, and every report is read.

📄

Your season, on paper

Your year published as a programme bound like an opera house’s: to print, to keep on the desk, to give to whoever comes with you. With La Loge.

🇫🇷

English and French

The whole interface, dates and notifications included. Programmes stay in the language of the halls.

How we
keep standing

I

We do not sell tickets

Every page links to the hall’s official box office, at its price, with no commission and no added fees. We are neither reseller nor middleman: our only business is to give you what you need to plan your evenings freely, with nothing nudging you towards one hall over another.

II

We do not sell your data

No advertising, no advertisers, no profiling, no brokers. The app sets no cookies at all. This site sets one, for audience measurement, and only if you accept it.

III

We live off our members

La Loge is our only source of income. It is a demanding model — it forces us to earn every renewal — but it is the only one that aligns our interests with those of the people who read us.

All that remains
is choosing the evening

The app is free, without advertising, and the entire catalogue is open to you from the first launch — before you even create an account.