Your evenings, before
an audience that seeks them
Mon Auditorium brings together the symphonic and operatic programme of Paris and its region in a catalogue maintained by hand — movement-by-movement programmes, full casts, the exact hall. Our users are not browsing a diary: they are looking for a work, a performer, an evening. And they find you.
Catalogue as of 11 August 2026 · 2026‑2027 season
What we bring to your hall
Someone devoted to Mozart, looking for their next concerts, arrives naturally at your programme — with a level of detail few institutional sites match, and a direct link to your box office, with no commission and no middleman.
An audience in search, never skimming
Nobody opens Mon Auditorium to pass the time: they come looking for a work, a performer, a free evening. And they leave with a date they had not seen — the one that would never have surfaced from an agenda glanced through.
The same regard for every hall
Your programme is not relegated behind that of the great houses: every hall is presented with the same care, in the same lists, under the same filters. Someone who came for an illustrious name discovers yours in the same movement.
A seat returned is a seat sold again
A concert marked sold out almost never stays that way until curtain-up. We re-read your box office every thirty seconds and tell, on the instant, the concertgoers who were waiting for that very concert.
Promotion, on request
We can recommend an evening to the listeners whose tastes call for it, and tell them so. Promotion then reaches those it concerns, never an entire list. It is composed case by case, as close as possible to what the evening calls for: a new work that must be made known, a revival with seats still to fill, an artist one wishes to establish. We tailor it to your need, evening by evening.
The renewed invitation
“Tonight in Paris”, suggestions matched to each listener’s tastes, the reminder the evening before: every opening offers one more evening out. The app does not merely record an outing decided elsewhere — it prompts one.
The whole season, at a glance
Our users see your season through to its last night, and compose their own months ahead. A distant date gets booked — the one that would have been forgotten while waiting for the on-sale email.
A page read in one breath
Works, performers, hall, times, running length: all gathered on one page, laid out identically from one house to the next. The concertgoer no longer relearns a website at every hall, nor hunts for the cast at the foot of a PDF.
The mobile shop window you lack
An app lives on the home screen, opens with one gesture, and can send word: it goes out to its audience, where a website waits to be visited. That is a presence an institution has neither the time nor the reason to build for itself alone — we give it to you. And it multiplies your visibility: your season is no longer shown only to the faithful few who think to visit your site, but to everyone whom music brings here, every day — including those who did not yet know your house.
Telling, rather than hoping to be read
A notification addressed to the right listener is opened every time: it reaches the screen and draws attention, at the very moment it is relevant, and it is nothing like an advert. An undifferentiated send, by contrast, is opened only 4.19% of the time (Batch, 2025 benchmark — 800 billion messages, 10,000 apps), and an email campaign earns roughly 2.6% click-through (Mailchimp, all sectors). We write only to those your programme concerns.
The ease of an app
Instant search, filters, dark mode, text sizes, accessibility: our users find here the habits they have everywhere else. A website has a great deal to do — present the house, tell the season, inform, sell. An app has only one thing to do, and this is it: to lead, without a detour, from wanting an evening out to the tap through to your box office.
Already listed, free of charge
Your programme is already in the app: detailed concert pages, a hall page with capacity and plan, kept up to date daily.
Your box office, directly
Every page links to your official box office, at your price. We resell nothing and take nothing.
The programme, in full
Work by work, movement by movement, with the named cast and the real length of the evening.
The right hall
Grande Salle, Amphithéâtre, Studio: our pages tell apart the halls within a single venue, with capacity and plan.
A concertgoer who can build
Mon Auditorium was born of many concerts and operas, lived from the hall — and from the hands of someone who builds applications for a living. It is the pair that is rare: an Amphithéâtre is told apart from a Studio, the sung role is named, a programme is read movement by movement — and all of it is made to fit a screen. It is that double gaze you benefit from: that of a hall, and that of a screen.
Let us talk
Editorial promotion, audience statistics on your programme, data exchange, a shared project: write to us, and let us meet.
One page for all your dates
An artist playing three times across a season is announced by three different halls, at three different moments. Their Mon Auditorium page brings them together — one address to give your audience, kept up to date without any step on your part.
Always current
Every new date joins the page as the season goes on, without your having to tell us.
One link to share
A single address to give out, rather than an announcement per hall and per date.
The mobile shop window you lack
An agency has neither the time nor the reason to build an app. We give you its presence: your artists live on their audience’s home screen, one gesture away, and can go out to them rather than wait to be visited.
Your listeners told
Those who follow your artist receive a notification as soon as a date is published — and a notification that was hoped for is opened every time. An undifferentiated send, by contrast, is opened only 4.19% of the time (Batch, 2025 benchmark), while an email campaign earns roughly 2.6% click-through (Mailchimp).
Biography and instrument
The role held in each concert — conductor, soloist, instrument, sung role — appears on the concert page as on yours.
Read in one breath
Works, fellow performers, hall and times are gathered on the same page, laid out identically everywhere. Your artist is no longer a line at the foot of a poster: they are named, with their role.
A date missing?
Write to us, or report it from the app: it will be added.
A photograph, a biography
Send us the official material: we are glad to replace what we have consolidated.
A word for the press
Preparing a piece on the Paris classical and operatic scene, on box-office practice, or on the place of software in art music? Write to us at contact at mon-auditorium.fr for a press kit, high-resolution images or an interview request.
And beyond that: we are open to any form of collaboration — partnership, promotion, data exchange, an editorial project. If you have an idea, we want to hear it: write to us and let us talk it through.
Let us talk about
your programme
Hall, ensemble, agent or media: write to us, and let us take the time to talk. We are open to any form of collaboration — if you have an idea, we want to hear it.
Write to us →